Each tune's eq may seem best by itself, however if you sequence them together, suddenly one song sounds too intense (or too dull ...). Changing the eq can even everything out. Tip # 1: keep in mind that any eq changes to your stereo mix affect the whole mix - if you wish to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to examine how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Tip # 2: if you're uncertain about an eq choice during mixdown, understand that it's simpler to cut lower frequencies in mastering than to boost them, and much easier to increase higher frequencies than to cut them. Compression: In mastering, this is utilized not just to control a mix or to include character, but also to "print" or send out as much level to the master as possible without clipping the signal. This can practically feel like a competitors for who has the loudest cd (" my record sounded fantastic until I listened on my CD carousel and Green Day was 5 db louder!"). Mastering engineers must stabilize level with sonic integrity. Levels: Ideally, a listener can play your record and not need to get up to adjust the volume. This is resolved in mastering, after the record has actually been sequenced. Only then can you actually know how levels relate to each other as Trap Instrumentals one tune ends and the next begins.
Spacing & Crossfading.
Spacing: there are different viewpoints as to how one should approach the spaces put in between tunes on a record. Final suggestion: you might be inclined to master the same recordings that you blended, whether it is for monetary reasons, innovative factors, or simply due to the fact that you can. We highly advise that you get somebody else to master your task.
Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Or you might have ten songs blended by 3 various engineers in five different studios.
Each song's eq might seem ideal by itself, but if you sequence them together, suddenly one song sounds too bright (or too dull ...). Pointer # 1: keep in mind that any eq modifications to your stereo mix impact the entire mix - if you desire to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to check how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to add character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
